In one particularly funny episode of the TV series, Monk, a production company is filming a movie based on one of Mr. Monk’s cases. The method actor (played by Stanley Tucci), cast to play the detective, studies him so intensely, he develops the same phobias, quirks, and crime-solving skills.
We’ve all heard of method actors “inhabiting” their characters, but what does that have to do with writing? If you’re writing character-based narrative, more than you might expect.
For my current project, co-authoring a doctor’s memoir, I spent probably hundreds of hours in interviews, probing her thoughts, experiences, remembrances of places and people, and learning more about her from additional interviews with those close to her. The process was only complete when I felt able to imagine what it was like to be in her skin, experiencing what she experienced.
I joked with her that it’s a little like Mr. Spock’s Vulcan mind-meld. But I was half serious too.
Because when you’re writing from the point of view of a character, real or fictional, you can’t do the character justice unless you become so enmeshed, it’s as if you’ve seen through the character’s eyes.
If you can’t inhabit the character to some degree, what you write from that character’s viewpoint won’t feel real to the reader.
– Anita Bartholomew